Selected Works
A selection from the 2003–2006 Limited Series, presented through two principal bodies of work: Lithic Forms and Organic Forms.
LITHIC FORMS
Stone-based illuminated sculptural works pairing archival photographic imagery with river stone from Río Barbilla, Costa Rica.
BeHolding
No. 1J · H 155 cm
Partially polished fossiliferous limestone · Río Barbilla, Costa Rica
Held between fossil stone and living light.
Stone Axis
No. 1A · H 92 cm
Polished conglomeratic volcanic river stone · Río Barbilla, Costa Rica
A broad field of illuminated color balanced above the quiet mass of river stone.
Held in Waiting
No. 1L · H 127 cm
Laminated volcaniclastic siltstone · Río Barbilla, Costa Rica
Illuminated botanical forms appear suspended above a pale, weathered stone mass.
Soltice
No. 1Q · H 120 cm
Partially polished fossiliferous limestone · Río Barbilla, Costa Rica
A seasonal work in which natural materials can subtly alter the character of its light.
Genesis
No. 1G · H 136 cm
Polished bioclastic limestone · Río Barbilla, Costa Rica
A concentrated botanical image rises from pale stone with an almost ceremonial intensity.
Remembered Sky
No. 1V · H 107 cm
Partially polished fossiliferous bioclastic limestone river tumbled· Río Barbilla, Costa Rica
A cool field of branches and remembered sky held above pale fossil stone.
Emergence
No. 1B · H 155 cm
Polished amygdaloidal river stone · Río Barbilla, Costa Rica
A slender vertical form in which image and stone rise into a quiet luminous presence.
Blue Arbor
No. 1T · H 107 cm
Fossiliferous limestone · Río Barbilla, Costa Rica
A branching field of blue light rising from fossil stone.
ORGANIC FORMS
Illuminated sculptural works using naturally fallen wood, roots, and found organic structures
Held Close
No. 01 · H 60 cm
Naturally fallen wood · archival pigment giclée · internal illumination
A low rooted form where botanical image and warm light gather into an intimate presence.
Axis of Fire
No. 25 · H 205 cm
Naturally fallen wood · archival pigment giclée · internal illumination
A vertical presence in which the inverted image field concentrates into an inner fire.
Dual Presence
No. 33 · H 195 cm
Naturally fallen wood · archival pigment giclée · internal illumination
A strongly inverted work in which two visual presences emerge from one illuminated surface.
Peter’s Gate
No. 34 · H 275 cm
Naturally fallen wood · archival pigment giclée · internal illumination
A monumental vertical passage where wood, light, and ascent become one structure.
Vertical Superorganism
No. 21 · H 223 cm
Naturally fallen wood · archival pigment giclée · internal illumination
A large branching structure whose scale turns light into an architectural presence.
Deep Roots
No. 24 · H 220 cm
Naturally fallen wood · archival pigment giclée · internal illumination
A monumental rooted work in which light rises from a dense, earthbound mass.
Request Presentation
Collector presentation and selected works PDF available upon request.